They were all going in different directions and people weren t aware of what different records were going to do.
Neither was Doo-wop , the urban sound pioneered by Black teenagers a decade earlier, tapped into similar feelings of dispossession, made uniquely powerful by the influence of gospel and an extra dose of boldness, necessary in Jim Crow America.
From the first startling moments of the Everlys first Cadence Records single, "Bye Bye Love," on into the Warner Brothers years and a shift toward the more somber transitions of complicated adulthood, the Everly Brothers carried their listeners from crawling to walking by musically embodying the process of making life up as you went along.
What, beyond the subject matter of their songs and the harmonies few could emulate or explain, made the Everly Brothers so distinct? I think it has to do with being in-between. Their innovations didn t simply cross musical boundaries and popular cultural moments; they melded those elements, finding new formulas in which they could coexist with and complement each other.
Everly Brothers music comes alive within transitions. It transforms the awkwardness of adolescence into an exquisite reveal of self to self. Writing in the Rolling Stone History of Rock and Roll, Kit Rachlis came close to describing the specific magic of the Everlys when he noted that "they were dreamers, seeking not the ideal woman, but the ideal — or perhaps more accurately, the idealized — relationship.
And it was in their wonderful harmonies, which glistened with such delicacy and moved with such buoyancy, that they found the perfect metaphor for that relationship. Why is this song so engaging from the very first chords?
One reason might be because it s actually two songs. Though part of Nashville s country music scene, the brothers had always been actively engaged with the blues, a trait they got from their guitar-playing father, Ike. It was more uptown, more honky-tonk.
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I ll tell you the right word for it: blues. Ike s finger-picking style can be traced back to the turn-of-the-century African-American guitarist Arnold Schultz, whose swing and sophisticated chording, as scholar Robert Cantwell has noted , had all the earmarks of jazz. Ike Everly influenced Chet Atkins, the Everly Brothers mentor, and of course he also influenced his sons.
Integration is embedded in the strum of that guitar. Escott described it in his chapter on Don Everly in the book Tattooed on their Tongues: "The arrangement used four guitars: Phil played in regular tuning, Don played a guitar tuned to an open G chord with a capo way up on the neck and a Nashville session man, Ray Edenton, played in a regular tuning, but with the G strung tuned up an octave.
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Chet Atkins was also on hand to play electric guitar fills. The end product had the local pickers sitting up nights.
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Of course, country music is central to the sound too — especially country s seriousness. Felice Bryant once said that the Everlys music was virginal, but in fact, it s more like losing your virginity, over and over: that choice, so private and so irrevocable, to grow up.
Sign up for daily news! Stay informed with WPR s email newsletter. Many grown, married people felt lost — scattered from their childhood homes after the Great Depression, which made clear the fragility of prosperity, and then traumatized by war. Interactions with parents in Everly Brothers songs are often almost comical; the bounce of "Wake Up Little Susie" suggests a caper, not a genuine walk of shame.
Such lightheartedness symbolically diffused the very real tensions between parents and children that inevitably arose as teenagers fulfilled society s mandate to remake themselves.
Worse, parents were encouraged to use their interactions with their teens as a form of self-improvement. And in a sense, this period is as critical for the parent as it is for the teen-ager himself. This might be clearest, musically, in "Cathy s Clown," the duo s first single for Warner Brothers and the most memorable No.
What grabs the listener first about "Cathy s Clown" is that harmony line — what the pianist and author Chris Ingham calls a "distinct pealing effect," as in a bell pealing, that results from Phil s static upper harmony interacting with Don s descending one.
It s the sound of someone getting stuck in a moment even as he shows the world he can keep moving. It s the sound of emotional damage. A web of factors Beck and Dinkins outlined the web of factors, including hunting, that impact greater sage grouse populations. Wyoming Game and Fish Department Wildlife Biologist Dean Clause examines the wing of a hunter-shot greater sage grouse to determine its sex and age.
The annual fall examinations help the department predict population trends. The standard method of estimating grouse population trends centers on spring lek counts of males. Most wildlife agencies compare year-to-year lek counts to discern trends. Most do not estimate, at least publicly, overall numbers for either the spring or the post-nesting period in the fall. Wyoming game bird licenses allow holders to hunt greater sage grouse, blue grouse, ruffed grouse, chukar partridge, gray partridge, sharp-tailed grouse and pheasants.
He recommended a system in which sage grouse hunters would purchase species-specific permits, thereby enabling wildlife managers to collect more and better information. Wyoming Game and Fish Department asks hunters to deposit wings from greater sage grouse in barrels like this placed across the state. The wings help biologists determine the ratio of chicks to hens each year.
Angus A permit system could correct some of those deficiencies. By including envelopes with permits, for example, hunters could mail wings of harvested birds to Game and Fish resulting in more accurate data. Implementing a more rigorous method of collecting wings comes with obvious costs, Dinkins said.